I've been re-reading THE PIRATE'S DILEMMA by Matt Mason. A wonderful book about how youth culture is re-writing global economics. From knock-off sneakers. MP3's. Even HIV/AIDS drugs. Matt illustrates how piracy can be a powerful catalyst for change. He's a great storyteller, and his punchline about how America was founded by pirates who ignored international patent laws, to jump-start an industrial economy, is all time.Reading about Pirates in Matt's book got me thinking --
The first movie I ever directed violated intellectual property laws. It featured SNOOPY and WOODSTOCK from Charles M. Schulz's PEANUTS comic strip. I used Mr. Schulz's characters without asking. And even had one of them perpetrating a crime. It was Woodstock. That little yellow bird. And he was stealing lunches from First Graders. My peers. See, when I made this movie -- I was EIGHT years old.
And what about all the movies I made with my Star Wars action figures? And Hot Wheels? Hell, my 7th Grade DAWN OF THE DEAD remake was almost shot for shot. Luckily, no CEASE AND DESIST letter came in the mail. Back in the days of no access to distribution, these backyard bootlegs were a non-issue. But not anymore. Now any eight year old Eli Roth can put their opus on YOU TUBE. And with access to HD-DVD's, and BLU-RAY, he or she can rip content from a perfect digital master of STAR WARS, or INDIANA JONES, or THE MATRIX -- and seamlessly remix those elements in ways the IP holders would never imagine, much less condone.
In college I made music. Sampling old school breaks-and-beats from DOORS, and HENDRIX records. I've downloaded MP3's. A couple movies. Some comic books. WOW! I just remembered that as I kid, I would smuggle my cassette recorder into movie theaters and tape the soundtracks. Then listen to the movie over and over again. Intellectual Property theft has been a part of my creative life -- since I had a creative life.
And without all this piracy. I don't know if I would've become a filmmaker. Being creative can be tough. It's risky to put yourself out there. And using somebody else's characters, and storylines, is a very safe place to experiment. To practice. To learn a craft. Until you're finally confident enough to create your own intellectual property.
And that doesn't just go for making movies. It's the same for engineering, computer programming, chemistry. Taking what somebody else has done before, and iterating on it, making it into something new, the next thing to be pirated, and so on. Without the catalyst of piracy to forge new products, technologies, economic models, and creative people in all fields -- the human race would still be shivering in the dark. Let's give a shout-out to Prometheus for stealing fire from the Gods.
Piracy is in our DNA. ARRRRGGGGH!
1 comments:
Willow's comment on your Facebook led me to tracking down this article. Very nicely said.
There is a fine art in imitation. That is a standard technique for young painters and other artists to complete: create a piece that is a reproduction of a masterpiece so you can learn about the techniques that have worked for people in the past. When you have those, you are more able to create and shape your own. That's why if you are a writer, you really should be a reader too. This is how literary culture propagates and why there are many, many books that follow after Jane Austen's work, with the same characters--books that have been written almost two hundred years after Austen's death, for example. I believe pop culture references, as well as the rifting on popular and historical themes and contexts, holds some relationship to imitation, as well. Works which hold these lofty references tend to be very popular because more people are apt to get it.
One last thing: doesn't have to do with this article, but nice shoutout for Henry Jenkins! I've been following the Aca/Fan for a while now.
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